Category: Music (Page 5 of 11)

Product Review: Eos Wireless Audio System

41EDzowMqRL._SCLZZZZZZZ_[1]We have flat-screen TVs that mount directly into our walls, laptops that can pick up wi-fi in airplanes, and cellphones that can browse the Web, play music, and take 10MP pictures — so why are most of us still stuck with old-fashioned wired speakers?

Because wireless systems are clunky, expensive, and prone to all kinds of interference, that’s why. Until now, anyway: thanks to a combination of a low $299 price point and deep Amazon discounting, you can get your hands on an Eos Wireless Audio System starter package for less than $180. Given that this includes two speakers — one of which acts as a docking station that charges your iPod while it plays — this is an intriguing development. (Additional speakers — each station can handle up to four — are $115-$150 each.)

So now that Eos has established itself as an affordable option for the budget-conscious wireless audio enthusiast, the only question is whether its system has managed to avoid the “clunky” and “prone to interference” part. And the answer, at least according to several weeks of home testing with the docking station and two speakers the company loaned me for review, is “yes and no.”

On the positive side, these things definitely aren’t clunky. Whether you buy your system in black or (slightly more affordable) white, the Eos is all curves and smoothly sculpted lines, and it’s dead simple to install: I literally plugged in the docking station, plugged in the speakers, and I was on my way. The system links to its satellite speakers via top-mounted antennae with blue LEDs that flash on or off depending on whether they can detect a signal (more on that in a minute). The station, controllable by remote, has its own volume setting, as do each of the speakers, which are controlled by a volume/power knob. It’s kind of a low-tech wrinkle for a high-tech gadget, and if you’re trying to precisely triangulate sound in a large room, it might be an annoyance, but if you’re that kind of listener you’re probably not in the market for the Eos system anyway.

The system’s sound itself will be another issue for audiophiles — but again, because of the limitations of wireless, audiophiles probably won’t be looking at something like this anyway. For what it is, the Eos is more than adequate; it doesn’t have the broadest dynamic range you’ve ever heard, but the company has tried to compensate for a rather thin bottom end by adding 2.1 sound and SRS to the mix. The result is a system that you probably wouldn’t want to blast at top volume, but for ordinary around-the-house listening, it’s just about perfect.

The only real drawback to the Eos — and it is, admittedly, a pretty major one — is an annoying tendency to drop its signal. My kitchen, dining room, and living room are all in one open area, and I arranged the dock and speakers in a triangle far smaller than the system’s advertised 150-foot range, but the Eos kept bumping up against some kind of interference, and the signal would go through random bursts of flickering. It might run for an hour with no issues, then go another hour with each speaker dropping its signal at least once a song. It isn’t the end of the world, but if I’d paid for the system, I’d probably be pretty aggravated, especially since the one option Eos gives you for boosting the signal doesn’t really work if you have the components in the same space — the system’s signal amplifier causes a slight echo that ends up being more annoying than the fade, and in my case, it didn’t even fix the problem.

Hiccups like these are probably to be expected when you’re going the extra mile to avoid dealing with speaker wire, however, and I wasn’t able to find reports of anyone else experiencing the same issue, so it could just be something specific to my environment. And even with the signal fade, the Eos is an attractive, affordable option for anyone looking to free themselves from the tyranny of speaker wires. Just make sure you buy them from a store with a good return policy…just in case.

Audio review: Sony Xplod MEX-BT5700U

Sony Xplod

Say goodbye to your FM tuner, and the static and frustration that come with it. With the Sony Xplod’s USB 1-Wire, you can now hook your iPod, iPhone or any other USB-compatible digital music player right into your car’s stereo system and get the kind of crisp sound quality an FM tuner could never provide. And with Bluetooth hands-free calling capabilities, MP3/WMA/AAC playback, Satellite radio and HD Radio compatibility, and a wireless remote, the Xplod MEX-BT5700U, provided by Sony for this review, is ready for just about anything you can throw at it.

Give Sony credit for coming up with a menu style that makes browsing through your iPod’s library to find a particular song much easier than similar units. The Quick-BrowZer function allows users to search for music by artist, album, genre or playlist, but when you’ve got hundreds of artists and thousands of songs on your player, that’s just not enough. Fortunately, the Jump Mode gets you where you need to go much more efficiently by fast-forwarding through a category in 10% increments. No worries about having to turn the dial for five minutes just to get to your “R” artists. Finally, Zappin mode will play music in six-, nine- or 30-second segments to help speed up your search for that one elusive song.

Of course, some of us are stubborn and have grown very comfortable with our music player’s navigation menu, making the switch to a new format – no matter how intuitive it may be – a bit of a challenge. Fortunately, the Xplod features Passenger Control, which puts the menu back in the palm of your hand and allows you (or, ostensibly, your passenger) to control your tunes directly from the portable player. While it doesn’t take long to learn how to navigate the Xplod’s menu, it’s pretty handy to have the option of switching to Passenger Control when needed. Unfortunately, this feature doesn’t work with iPod Nano 1st generation and iPod 5th generation, much to my chagrin since I have no plans to replace my iPod 5G anytime soon. Ah, but don’t forget about the handy front auxiliary input, which lets me hook into the stereo while still controlling everything from my iPod. Of course, connecting this way won’t charge your portable music player, but it’s nice to have that option.

Sony XplodThe Xplod’s appeal doesn’t end with the iPod connectivity. The unit’s Bluetooth capabilities are impressive, to say the least, and are fully compatible with the iPhone 3G and 3GS. The new Phonebook Access Profile feature allows you to browse your linked cell’s phonebook to make a call, save a contact, or download your entire phonebook (up to 300 contacts) for easy access via the Xplod’s Bluetooth menu. Speaking of the menu, there are all sorts of options to play with, whether you want to choose your phone’s ringtone or the stereo’s default tone, enable “Auto Answer” or “Echo Canceller/Noise Canceller Mode,” or set the microphone’s default volume level. And since the unit comes standard with an external microphone in addition to the built-in mic, you’re able to easily improve your audio quality. Finally, if your portable music player supports Advanced Audio Distribution Profile (A2DP), you can stream your audio via Bluetooth.

In short, this is one heavy duty car stereo with more features than most people would probably ever use. As a bonus, the in-dash unit looks great, with a customizable, bright and easy-to-read display that offers up to four lines of music and phone call data, the ability to choose between red, blue or green illuminated keys, and a flip-down, detachable faceplate. Anyone who’s ever battled with an FM tuner will fall for the instant iPod connectivity the Sony Xplod MEX-BT5700U offers, but the fun most definitely doesn’t stop there.

Click here to buy the Sony Xplod MEX-BT5700U.

Palm’s iTunes hacking is less than inspiring

Palm Pre for iTunes?For a phone that’s billed to do things differently from the iPhone, Palm sure has gone to a lot of trouble to make the Pre sync with iTunes. The company released WebOS version 1.2.1 recently, which brings back iTunes sync along with a few maintenance fixes.

The funny thing is, the Pre could sync with iTunes via an xml file, which is an Apple approved and supported method for third-party devices. Instead, Palm keeps trying to find ways to make the Pre look and perform like an iPod, something about which Apple is none to happy. So why bother? Why keep fighting back against every new iTunes update that breaks the functionality?

Craig Hunter, a mobile developer who we’ve talked about for his tough review of the WebOS SDK, said it best:

Clearly, other companies know how to sync painlessly with iTunes music (see RIM’s Blackberry Media Sync for example), so why doesn’t Palm develop a syncing solution for their own hardware? …I seriously question the strategy and brains of any company that ties critical product capabilities to the unsupported use of their competitor’s software. I mean, really? Can it get any more ridiculous? Can you possibly send a more mixed, less confidence-inspiring, “we’re a bunch of hacks who can’t provide our own sync software for our products” message to customers?

Well put, Craig. Well put.

Reading Material: How To Rip Your Music Like A Pro

Reading Material.I started this post over on Fearless Gamer to cover the reading I do throughout the week but don’t have time to post. This edition comes courtesy of Gizmodo, where John Herrman covers ripping your music library like you’re a true audiophile.

“What about iTunes?” Someone is going to ask it. You might not be aware that iTunes results in a lossy conversion of your favorite CDs, imports album art that can only be read by Apple products, and occasionally misses some important tags. Herrman does a great job of covering the options available to both Mac and PC users for creating a digital library that commands respect.

Sony Ericsson Claims To Change The Way You Listen To Music Forever

Sony Ericsson guy.We can pretty much guarantee this latest marketing campaign from Sony Ericsson will end in all sorts of fail. It starts with a web campaign, apparently called “Put Your Ears In Control.” The site features a goofy looking animated character with just one sentence across the screen:

Come back here on the 21st of September to see how the way you listen to music changes forever.

I know this sort of language isn’t exactly rare in the tech world, but give me a break. Forever? Hell, changes? This would have to be something truly radical to make the kind of impact the webpage suggests. I literally have no idea what Sony Ericsson could be talking about. Even if Sony put all the power of the Walkman behind whatever device will probably be launched, it still wouldn’t change much, and most certainly not the way I listen to music or the forever of that hobby.

Check back on the 21st for more of me mocking Sony Ericsson for making ridiculous statements about an underwhelming device.

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