The amount of content this gives the streaming powerhouse is nothing short of incredible. Not only will they be gaining access to the Disney classics collection (my inner child is freaking out), but they will also be securing new Disney releases during the same time that cable services get them (estimated to be about 6 to 9 months after theatrical releases), and starting in 2016 Netflix will become the exclusive provider of Disney films as they become available. Oh and, in case you were wondering, this means they gain the rights to the entire Disney family of films which includes Disney, Pixar, Marvel, Walt Disney (classics), and Disneynature.
My not so professional opinion? Yowza.
The timing couldn’t be better for the acquisition since Netflix has started to get behind their Just For Kids section in a big way, and the recent loss of Starz caused some to question if they could handle the impact of the missing content. Not that there was ever a bad time to acquire the films of one of the largest and most cherished production companies in the world mind you, and now the pressure is on the competition more than ever. While Amaon’s deal with Epix, and Hulu’s with Criterion have provided each some worthy bragging rights, they now may be forced to humbly admit that neither of them had the ability to pull off a deal of this magnitude, and they must now retreat to the drawing boards to formulate an effort that will match the even greater attention, and subscriptions, that Netflix will garner from the exclusive rights to one of the most widely regarded and beloved collection of movies available from a single source.
It’s a game changer with no hyperbole possible in describing its implications.
Now if you’ll excuse me, I must patiently await the arrival of “Heavyweights” on Netflix Instant.
A new variable will soon be added, however, that takes into account the number of valid copyright removal notices a site receives. Basically, the more that a site receives, the lower they fall on the overall search rankings. Since Google is processing more copyright claims than ever before, they feel that they are primed to recognize sites with pirated material, and divert searchers to legal sites like Hulu, and Spotify instead for their content needs.
I’m not as convinced. This surely sounds like a proper move by Google, but really how much is it going to help? For one thing, can even Google process enough copyright claims in time to shut down that many websites from appearing in top hits, and even if they can couldn’t you just go to page 2, or *gasp* 3 on your search to find the site? Also, wouldn’t smaller sites with the same material just pop up instead in specific search results as the bigger ones go down, creating an endless loop of fresh pirated material? Speaking of search hits, will this still filter out specific searches? In the interest of not outing anyone, if I search say, Swashbuckler’s Cove for a torrent of “Game of Thrones,” wouldn’t Google still take me directly there regardless of the copyright claims?
What’s even better is that no mention of the Google owned YouTube is found in any of the statements on this matter. You know, one of the world’s most popular and prolific websites where just about any copyrighted material can be found free of charge (except for porn of course, in which case you need to go to PornTube, YouPorn, or PornPorn).
So wait a minute. Is it possible that Google just pulled a fast one on the continually technologically ignorant music and film industries by doing something to please them, while effectively doing nothing to aid them?
I’ve been writing here a lot about the development of online TV services and my desire to be able to truly cut the cord and fully rely on the internet for my media consumption. I don’t currently have a cable subscription of any kind, which makes me really really happy, but my system isn’t perfect and could definitely stand to get a lot better.
The biggest thing standing in my way are the paid subscription services. They show up every few weeks to say stupid shit like this about Hulu and similar services: “If I can watch Glee tomorrow morning and I don’t have to pay a pay TV service –- I think that’s bad.” That’s Dish Network’s VP of Online Content Development and Strategy, Bruce Eisen. Sorry, Bruce, but you’re a moron. For starters, Fox – you know, the company that broadcasts Glee – allows me to do this. Why do they do this? Because customers want it. That’s what being in any sort of delivery service is all about – catering to your customers.
Somewhere along the road to present day, guys like Bruce Eisen forgot that their companies exist to deliver a product that customers want, not to dictate those wants by delivering a mediocre product at a ridiculous price. Not to limit consumer access to content but to provide it. Every time a cable or satellite exec says something like this, I can hear PR firms squealing in dismay. “Bruce! You just told the customers you don’t want them to have what they want! You want to bleed them dry before they can have it! These people aren’t stupid!”
And there’s the other problem. All these execs like to talk as though we don’t understand their business, like we can’t possibly understand the position Hulu has put them in. Sorry for asking you to think, Bruce. Sorry for asking you to adapt. Sorry for asking that American business men do what they were born to do. Make things. We’ve stopped making and become a country of consumers. Well I, for one, am done consuming and I’m ready to make.
Yeah, Bruce, that’s from 30 Rock. I loaded it up on Netflix just now, scrubbed forward to the part I wanted and transcribed it. Why can’t you make things like this:
And less like…wait…hold on a sec. Just have to fire up the old satellite and dig through the DV-ah, fuck it. Nevermind.
I hate them. Hate them hate them hate them. News broke this week that Hulu would be launching on Roku streaming devices, as well as TiVo premiere. It’s only Hulu Plus, for now, but the whole world is crying out against AppleTV as a result.
I think they’re right, too. AppleTV doesn’t have nearly enough options to merit spending money on. It’s a gamble right now, and unless you’re confident in your cracking skills and have a lot of your own video to stream, AppleTV just doesn’t make sense. EXCEPT…
That it’s the best looking software out there and the growth potential is huge. Unfortunately, Apple could pull together the support for launch, mostly because networks didn’t want to go down to $.99 rentals (but most networks show for free online – seriously, just give me free streaming already). Apple launched, thinking success would change some opinions, but with the market the way it is, there might not be massive support behind Apple, which means we get to watch the streaming marketplace splinter, just like Blu-ray/HD-DVD, and hope that whoever we picked wins out in the end. I realize this is kinda the point of capitalism, but I want to make my choice based on how good the product is, not who managed to buddy up with the owner of Hulu over the weekend.
Netflix and Hulu started dueling for streaming dominance some time ago, and for the most part Hulu has been winning that fight. It looks like Netflix may have taken a leg up, though, and I’m hoping it stays that way.
According to comScore, Netflix barely edged past Hulu in unique visitors this past month. I’ve really enjoyed Netflix streaming service, but the company needs to get up to current seasons if it wants to give Hulu a serious run for it. One of my favorite shows, Party Down (which none of you were watching, which is why it got the ax – shame on you), had current season streaming from Netflix and I watched it every week. It’s a fantastic alternative to a cable subscription, which tends to just fill my living room with a lot of noise.
Hulu’s trying to keep the top spot with Hulu+, granting access to full current seasons and some legacy episodes for a fee. The company’s ad structure could really hold it back, especially when competing with the Netflix platform.